Over our 25+ years doing weddings, my wife Kathi and I always tried to create wedding cake images just like they were commercial product assignments for a magazine ad. We thought that any photography we did at the cake table, just as we did the bride’s trousseau, was important enough that we took the photography to a dramatic level beyond the reception record-shot—like most photographers did—and still do today.
The bottom line in my philosophy of photography is creating drama and drama is all about LIGHTING. However, all lighting isn’t equal—the best lighting for things is directional light that comes from some other direction than camera position.
This Directional Light Creates:
- Three dimensionality; because the camera converts the 3-D world into a two-dimensional recording of reality is up to us as professional photographers to create the illusion within that two dimensional capture with a directional light that makes shadows.
- Texture/Detail; directional light that sweeps across the subject from one side or the other (or the top) accentuates detail because of the shadows. We use this directional light on wedding dresses as well to show the detail of the gown.
- Drama; dramatic lighting = Shadows!
I don’t care how you do it; you can use outdoor natural light, indoor window light, continuous artificial lights, or flash, but YOU as the director of photography, at each of your bride’s weddings, should be in charge of the lighting.
So, here are some of my favorite lighting techniques….
|f8.0 @ 1/30th sec., ISO 400; Lens @ 36mm|
This image was done at a wedding fair of a cake by one of my favorite wedding cake designers, Bijan of San Jose, California. The lights were quartz halogen desk lamps that produce a very hard “cutting” light that really enhances detail and makes dramatic shadows.
However, you must be careful with your exposure to avoid clipping those highlights on white wedding cakes. It’s essential to maintain detail in your whites on a wedding cake—not to mention your bride’s dress!
My favorite light source is Window Light….
f5.0 @ 1/50 sec., ISO 400; Lens @ 46mm
If I have a wedding reception site that has great windows (provided it’s NOT a night reception!) I will actually have the reception staff move the cake table to take advantage of that light. You don’t want reception staff to be in charge of anything that affects your photography—especially lighting!
NOTE: This is something that is part of your research at each wedding. When you visit all the photography locations, in advance of the wedding, you should be looking at lighting and locations for your set-ups. Ask the manager where they usually put the cake table—they usually put it somewhere that’s merely convenient for them…and almost always under an EXIT sign. If it’s not where you want it politely ask the manager to have it set-up where “the bride wants it”; works every time!
More Window Light….
f13.0 @ 1/4 sec. ISO 4000; Lens @ 50mm
Nothing creates this nice soft light, wrapping to a gradient shadow, like a large window. This is something that a speed light just can’t do well because being a point light source makes them too hard.
Most of the time we arrive at the reception site early—before they let the guests in—so we can photograph the whole room and then get locked-down on a tripod at the cake table for the cake portraits.
In Part 2, I’ll talk about cake photography using “Mixed Lighting” and Natural Light Outside. ’Til next week…
Author: Jerry W. Venz, PPA Master Photographer, Craftsman
Training Site: http://www.LightAtTheEdge.com
Client Site: http://www.TheStorytellersUsa.com